Yuma is a 23-year-old woman from Tokyo. When she commutes by train to her job in a manga studio, her face is at hip height to the other passengers standing up. Yuma uses a wheelchair on account of cerebral palsy. Her deformed limbs only allow her to crawl – and to hold a pencil. The fact that Yuma is a 23-year-old woman from Tokyo. When she commutes by train to her job in a manga studio, her face is at hip height to the other passengers standing up. Yuma uses a wheelchair on account of cerebral palsy. Her deformed limbs only allow her to crawl – and to hold a pencil. The fact that her boss, a successful comic artist and blogger named Sayaka, who has a penchant for garish Fairy Kei attire, passes Yuma’s drawing ideas off as her own, dismays the talented ‘mangaka’. Even worse, her overprotective mother hardly lets her out of her sight and refuses to talk about her father. As Yuma attempts to live a more independent life, she stumbles across adult comics – manga porn – and toys with the idea of drawing some herself. The publisher advises her to gain some personal experience first. But what happens when a woman in a wheelchair asks a tout in Tokyo’s red light district to fix her up with a sex date? Director HIKARI’s humorous and endearing 37 Seconds depicts an unusual journey of self-discovery - in artistic, physical and familial terms. And, as the film’s charming protagonist learns, friends who are not prejudiced can be found anywhere.
